The whole VAR system fits in three flight cases and travels with a crew of three. Checked as baggage, rigged in hours, running the same anywhere.
Most video-review setups are built to stay put. A truck, a rack room, cable pulled through a venue that was wired for it years ago. Ours was built the other way round, because the competitions that need us are rarely the ones with a broadcast compound already parked outside.
The servers, the cameras, the mounts and the control surfaces fit into three flight cases. They go as checked baggage. They come off the belt, clear customs, and go straight to the pool deck — no freight forwarder, no advance shipment, no customs broker on a three-week lead time.
A crew of three rigs it, runs it and packs it. Not a production team of fifteen: three. That is what makes it viable for a federation that is organising a championship, not a television event — and it is why the cost sits where a federation can actually reach it.
Buenos Aires 2024 at a World Aquatics championship. Chiba 2026 for the Japan Championships, seven cameras and twenty-four matches on the other side of the world. Same three cases, same three people, same system on the referee's screen.
If your competition is somewhere we have never been, that is not a problem to solve. That is the design.
We cover federations and organisers across sports. Tell us the event and we'll plan the cameras around it.