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Multi-angle replay at 100 frames per second.

We wrote the system ourselves, end to end — no third-party licences and no one else's roadmap to wait on. That is why it keeps getting better tournament after tournament, with the delegates and referees who use it.

100 fps on every camera Built in-house Used in international competition
Live water polo at the Japan Championships in Chiba, with the VAR system in the foreground
LiveJapan 2026
01   WHY OWNING IT MATTERS

Owning the code is the whole point.

Most providers resell somebody else's system. Ours is written in-house, so nothing between your competition and a fix goes through a vendor.

⬡ NO MIDDLEMAN

Nobody to wait for

End to end, the review system is ours. No licences, no external suppliers, no support tickets. If something has to change, we change it.

01
⬡ SPEED

It improves every competition

Holding all of the code means holding all of the capacity to improve it. Small adjustments ship during the tournament; the structural work lands between one competition and the next.

02
⬡ ON THE FLOOR

Built with the officials

We build alongside delegates and referees with real track record. They tell us what the game needs; we ship it. Faster review, fairer play.

03
02   WHAT IT DOES

Eight decisions that show up on the water.

None of this is a special mode you switch on. It is how the system works every match.

VAR REVIEW1080P · 100 FPS
00:14:23:11LIVE
Var Technology review software with REC, timecode and camera 3
FRAME STEP · 1/100 S
01

100 fps on every camera

Always, not a special mode. Ten frames where others have five.

02

Every camera, the same instant

The operator changes angle, not moment.

03

From play to referee in one press

One button marks it and builds the clip. Fifteen seconds, not two minutes.

04

Match time travels with the play

Every clip arrives knowing which minute it belongs to.

05

The referee feed is a cut

Custom layouts, changed live, with 3× magnification on any tile.

06

Controlled however the operator wants

Button deck, jog/shuttle controller, keyboard or a remote position.

07

It travels in three cases

Up in hours. Nothing built into the venue.

08

Recording always wins

Continuous, watched over, recoverable.

VAR operating position with button deck, screens and a mate
The operating position
03   SPEC SHEET

The short version, on paper.

Capture
Up to 1080p at 100 fps per camera
Cameras
7 for water polo · up to 8 with the current system, expandable to requirements
Referee feed
Composed, with custom layouts changed live and up to 3× magnification
Export
Multi-angle MP4, named automatically by phase, match clock and tag
Control
Button deck, jog/shuttle controller, keyboard, remote position, HTTP API
Deployment
Three cases, set up in hours, nothing built into the venue
Languages
Spanish and English
04   LATEST UPDATES

What we shipped lately.

A running log of the system. It grows with every tournament.

2026VAR Station

VAR Station, on the backup recorder

The app running on the backup recording server: redundant capture, post-match review, and live match time pulled over the API. Every play a delegate or referee flags arrives already carrying the minute it happened.

2026Delegates

Delegate marks

The delegate now has a button of their own to flag the plays they want to look at after the match. Simple, and it changes the post-match read completely.

05   WHAT COMES NEXT

What we are working on.

None of this ships today — it is what we are building now.

In development

Higher frame rates

Heading for 120 fps, to hold the bar for years rather than seasons.

In development

Touch control from an iPad

An app to run the review by hand, without the button deck.

Under evaluation

More cameras: CCTV and streaming

Bringing the venue's existing cameras into the system.

▸ 06   THERE IS MORE

There is a lot more than fits here.

This is the short version. To go through everything the system does — and how far we can adapt it to your competition — let's set up a meeting and talk it through.