Every channel records 1080p at 100 frames per second — double the 50–60 fps that is standard across the industry today, so the decisive frame is always there. 100 fps is the next standard, and it is the service we deliver now — with 120 fps as our goal, to stay ahead for years to come.
The same rig proven in the water adapts to any sport where a decision comes down to a line, a clock or a touch — re-positioned, not re-engineered.
The plays above are illustrative. What the VAR reviews in each sport is defined by that sport's rulebook and the referees' requirements.
Another discipline? We design the camera plan around your rulebook. Tell us your sport →
Independent broadcast channels at full HD, positioned to the discipline brief — overhead, both goal-lines, both sides and bench. Fully synchronised, fully redundant.
Ultra slow-motion and frame-by-frame review at up to 2× speed. IN/OUT markers flag every review and the key moments that matter. Our operator drives it on the referee's instructions — and the simpler actions the referee can run directly, always under our supervision and support.
We handle everything — cameras, crew, operations and archive. You focus on the sport. Cost-built for federations, not broadcasters.
